The Unbound Page 5
It is selfish and it is wrong and it is human, and as I sit there, watching Ben work, I think that I would do it. I would choose him. I would take my little brother with me. If they’d let me.
Of course, I never find out.
In truth, Gavin looks very little like Ben. I know because I’ve been staring at him—and then trying not to stare—for the last fifteen minutes. Luckily, between a long shower and the walk with Wes, fifteen minutes is all I have before the bell rings.
It turns out that even though we’re a grade apart, Amber and I have Physiology together. She tells me on the way how it’s all part of her pre-premed plan, how her grandmother was some incredible war surgeon behind the blood-slicked camp curtains, and how she has steady hands just like her. Between the Court and the science hall—marked by a statue of a snake—I discover my favorite thing about Amber Kinney.
She likes to talk.
She likes to talk even more than Lyndsey, and as far as I can tell it’s not out of a need to fill the quiet so much as a simple lack of filter between her brain and mouth—which is fine with me, because she’s surprisingly interesting. She tells me random facts about the school, and then about each member of the Court: Gavin won’t eat anything green and has a brother who sleepwalks; Cash speaks four languages and tears up at sappy commercials; Safia—because apparently Amber is actually friends with her—used to be so shy she barely spoke, and still hasn’t quite figured out how to speak nicely; Wesley is a sarcastic flirt and allergic to eggplant and…
Amber trails off. “But you already know Wesley,” she says.
“Not as well as you’d think,” I say carefully.
Amber smiles. “Join the club. I’ve known Wes for years, and there are times I still don’t feel like I know him. But I think he likes it that way—an air of mystery—so we all let him have his secrets.”
I wish everybody felt the way Amber Kinney does about secrets. My life would be a lot easier.
“So,” I say, “Wesley’s a flirt?”
Amber rolls her eyes and holds the door open for me. “Let’s just say that air of mystery tends to work in his favor.” I feel the heat creeping into my face as she glances my way. “Don’t tell me you’ve already fallen for it.”
I chuckle. “Hardly.” And that much is true. After all, it’s not Wesley’s secrets that make my pulse climb. It’s the fact that we have the same ones. Or, at least, most of the same ones. I can’t help but wonder, after the shock of seeing him here, what else I don’t know.
His voice echoes in my head: You didn’t ask.
We reach the Physiology room and snag two seats side by side as the bell rings. A surprisingly young woman named Ms. Hill walks us through our syllabus, and I spend the next few minutes flipping through the textbook, trying to figure out which bones Owen snapped inside my wrist. It’s funny—looking at the maps of bone and muscle and nerve, the diagrams of body flexion and movement and potential—how much of this I’ve learned already. More through trial and error and application than assigned reading, but it’s still nice to find that some of the knowledge translates. I run my fingertips lightly over the illustrated fingers on the page.
I make it through the lecture, and Amber points me in the direction of my last class: Government. It’s taught by Mr. Lowell, a man in his fifties with a mop of graying curls and a soft, even voice. I’m prepared to have to stab myself with my pen to stay awake, but then he starts talking.
“Everything that rises will fall,” he says. “Empires, societies, governments. None of them lasts forever. Why? Because even though they are the products of change, they become resistant to change. The longer a society survives, the more it clings to its power, and the more it resists progress. The more it resists progress—resists change—the more its citizens demand it. In response, the society tightens its grip, desperate to maintain control. It’s afraid of losing its hold.”
I stiffen in my seat.
Do you know why the Archive has so many rules, Miss Bishop? Owen asked me on the roof that day. It’s because they’re afraid of us. Terrified.
“Societies are afraid of their citizens,” echoes Mr. Lowell. “The more a society tightens its grip, the more the people fight that grip.” He draws a circle in the air with his index finger, going around and around, and each time he does, the circle gets smaller. “Tighter and tighter, and the resistance grows and grows until it spills over into action. That action takes one of two forms.”
He writes two words on the board: REVOLUTION and REFORM.
“The first segment of this class,” says Mr. Lowell, “will be dedicated to the language of revolution; the second segment will be dedicated to the language of reform.” He erases the word REFORM from the board.
“You’ve all heard the language of revolution. The rhetoric. For instance, a government can be called corrupt.” He writes the word corrupt on the board. “Give me some other words.”
“The government is rotten,” says a girl at the front of the class.
“The company is abusing power,” says a boy.
“The system is broken,” adds another.
“Very good, very good,” says Mr. Lowell. “Keep going.”
I cringe as Owen’s voice echoes in my head. The Archive is a prison.
“A prison,” I say, my voice carrying over the others before I even realize I’ve spoken out loud. The room quiets as the teacher considers me. Finally he nods.
“Rhetoric of imprisonment and, conversely, the call for freedom. One of the most classic examples of revolutionary thought. Well done, Miss…”
“Bishop.”
He nods again and turns his attention back to the class. “Anyone else?”
By the time school lets out, my edges are starting to fray.
The morning coffee and lunch soda can’t make up for the days—weeks, really—without sleep. And having Owen in my head for most of last period hasn’t helped my nerves. A shaky yawn escapes as I push open the outer doors of the history hall and step into the afternoon sun, abandoning the crowded path for a secluded patch of grass where I can stop and soak up the light and clear my head. I free my Keeper list from my shirt pocket and am relieved to see that there’s still only one name on the page.
“Who’s Harker?” asks Cash over my shoulder. I jump a little at the sound of his voice, then unfold the paper slowly, careful to seem unconcerned.
“Just a neighbor,” I say, tucking the paper back into my pocket. “I promised to pick up some info on the school for him. He’s thinking about it for next year.” The lie is easy, effortless, and I try not to relish it.
“Ah, well, we can swing by the office on the way to the parking lot.” He sets off down the path.
“You really don’t have to escort me,” I say, following. “I’m sure I can find my way.”
“I have no doubt, but I’d still like—”
“Look,” I cut him off. “I know you’re just doing your job.”
He frowns, but doesn’t slow his pace. “Saf tell you that?” I shrug. “Well, yes, okay. It’s my job, but I chose it. And it’s not like I was assigned to you. I could be imposing my assistance on any of the unsuspecting freshman. I’d rather be accompanying you.” He chews his lip and squints up toward the summer sun before he continues. “If you’ll let me.”
“All right,” I agree with a teasing smile. “But just to spare those other unsuspecting students.”
He laughs lightly and waves to someone across the grass.
“So,” I say, “Cassius? That’s quite a name.”
“Cassius Arthur Graham. A mouthful, isn’t it? That’s what you get when your mother’s an Italian diplomat and your father’s a British linguist.” The ivy-coated stone back of the main building comes into sight. “But it’s not nearly as bad as Wesley’s.”
“What do you mean?” I ask.
Cash gives me a look, like I should know. Then, when it’s obvious I don’t, he starts to backtrack.
“Nothing. I forgot you two
haven’t known each other that long.”
My steps slow on the path. “What are you talking about?”
“Well, it’s just…Wesley’s name isn’t really Wesley. That’s his middle name.”
I frown. “Then what’s his first name?”
Cash shakes his head. “Can’t say.”
“That bad?”
“He thinks so.”
“Come on, I’ve got to have some ammunition.”
“No way, he’d kill me.”
I laugh and let it drop as we reach the admin building’s doors. “You guys seem close,” I say as he holds them open for me.
“We are,” says Cash with a kind of simple certainty that makes my stomach hurt.
With Wes haunting the Coronado halls all summer, I just assumed that he lived the way I did: at a distance. But he has a life. Friends. Good friends. I have Lyndsey, but we’re close because she doesn’t make me lie. She never asks questions. But I should have asked Wes. I should have wondered.
“We grew up together,” explains Cash as we make our way toward the glass lobby. “Met him at Hartford. That’s the K-through-eight that leads into Hyde. Saf and I showed up in the fourth grade—third for her—and Wes just kind of took us in. When things started going south with his parents a few years back, we tried to return the favor. He’s not very good at taking help, though.”
I nod. “He always bounces it back.”
“Exactly,” he says, sounding genuinely frustrated. “But then his mom left and things went from bad to worse.”
“What happened?” I press.
The question jars him, and he seems to realize he shouldn’t be sharing this much. He hesitates, then says, “He went to stay with his aunt Joan.”
“Great-aunt,” I correct absently.
“He told you about her?”
“A little,” I say. Joan was the woman who passed her key and her job on to Wesley. The one the Archive cut full of holes when she retired just to make sure its secrets were safe. The fact that I’ve heard of Joan seems to satisfy something in Cash, and his reluctance dissolves.
“Yeah, well, he was supposed to go stay with her for the summer,” he says, “to get away from the divorce—it was brutal—but Hyde started back up in the fall, and he wasn’t here. Our whole sophomore year, it was like he didn’t exist. You have to understand—he didn’t call, didn’t write. There was just this void.” Cash shakes his head. “He’s loud in that way you don’t really notice till he’s gone. Anyway, sophomore year comes and goes without him. And then summer break comes and goes without him. And finally junior year comes around, and there he is at lunch, leaning up against the Alchemist like he never left.”
“Was he different?” I ask as we reach the office door at the mouth of the glass lobby. That was the year he became a Keeper.
Cash stops with his fingers on the handle. “Apart from the black eye I gave him? Not really. If anything, he seemed…happier. And I was just glad to have him back, so I didn’t pry. Wait here, I’ll grab you some prospective student pamphlets.”
He vanishes into the office, and I glance absently around the hall. It’s covered in photographs—though covered suggests chaos, and these are all immaculately hung, each frame perfectly level and perfectly equidistant from the others. Each one has a small, elegant date etched into the top. In every picture, a group of students stands, shoulders touching, in several even rows. Senior classes, judging by the gold stripes in the more recent color photos. The years count backward along both walls, with the most recent years here by the mouth of the lobby and the older ones trailing away down the hall. Like most of the posh private schools, Hyde hasn’t always been coed. As I backtrack through the years, the girls vanish from the group photos, appearing in their own set and then disappearing altogether, along with the reds and blues and golds, leaving only boys in black and white. I let my eyes wander the walls, not knowing what I’m looking for until I find it. When I do, everything in me tenses.
He could have gone to any of the schools in the city, but he didn’t. He went here.
In the frame marked 1952, several dozen boys stand in rigid rows, stern, well-groomed, elegant. And there, one row down and several students in, is Owen Chris Clarke.
His silver-blond hair registers as white in the colorless photo, and that, plus the shocking paleness of his eyes, makes him look like a flare of light in the wash of black uniforms. The ghost of a smile brushes his lips, like he knows a secret. And maybe he does. This would have been before—before he graduated, before he was made Crew, before Regina was murdered, before he brought her back, before he killed the Coronado residents and jumped from the roof. But at the time of the photo, he was already a Keeper. It shows in his eyes, in his taunting smile, and in the hint of a ring on the hand resting on another student’s shoulder…
“You ready?”
I pull away from the photograph to find Cash standing there, holding a short stack of pamphlets.
“Yeah,” I say, my voice a little shakier than I’d like, as I cast another glance at the photo.
You and I are not so different.
I frown. So what if Owen went here? He’s gone. This is nothing more than a faded photograph, a glimpse of the past—a perfectly reasonable place for a dead boy to be.
“Let’s go,” I say as I take the papers.
Cash walks me out.
“Where’s your car?” he asks, surveying the parking lot, which has already emptied out quite a bit.
I cross to the bike rack and give Dante a sweeping gesture. “My ride.”
He blushes. “I didn’t mean to assume—”
I wave him off. “It’s like a convertible, really. Wind through my hair. Leather seats…well, seat.” I dig my workout pants out of my bag and tug them on under my skirt.
He smiles, gold eyes drifting down to the sidewalk. “Maybe we could do this again tomorrow.”
“You mean school?” I ask, unlocking the bike and swinging my leg over. “I think that’s the idea. Doesn’t work very well if you only go once.” I try to say it straight-faced, but the smile slips through.
Cash breaks into a warm laugh as he turns to go. “Welcome to Hyde, Mackenzie Bishop.”
His easy joy is contagious, and I feel myself still grinning as I watch him retreat through the gates. Then I look back out over the parking lot and all the warmth goes cold.
The man from this morning, the one with gold hair and gold skin, is leaning back against a tree at the edge of the lot, sipping coffee out of a to-go cup, and he’s looking at me. This time he doesn’t even try to hide it. The sight of him is like a brick through a glass window, shattering the mundane. It’s a reminder that life couldn’t be further from normal. Normal is a thing I might dream about, if I weren’t too busy having nightmares.
There’s one thing scarier than the fact I’m being followed. And that’s who is following me. Because there’s only one possible answer: the Archive. The thought makes my blood run cold. I can’t imagine it’s a good thing, being tailed by Crew. And that’s exactly what he is. What he has to be.
The way he sips his coffee and shifts his weight and his unguarded body language create an illusion of boredom that’s dampened only by his gaze, which is sharp, alert. But that’s not what gives him away. It’s the confidence. A very specific and dangerous kind of confidence. The same kind Owen had.
The confidence exuded by someone who knows they can hurt you before you hurt them.
The golden man’s eyes meet mine, and he smiles with half his mouth. He takes another sip of his coffee, and I take a step toward him just as a horn goes off in the parking lot. The sound steals my attention for a second, even less, but by the time I look back at the man, he’s gone.
Great.
I wait a second to see if he’ll reappear, but he doesn’t, and I’m left with only a sinking feeling in my stomach and the nagging question: why is the Archive having me followed?
The worry eats at the last of my energy as I pedal home
. By the time I get there, my vision is starting to blur from fatigue. When I dismount, the world rocks a little. I have to stand still a moment, wait for the dizziness to pass before I drag myself through the doors and up the stairs.
I want sleep.
I need sleep.
Instead, I go hunting.
SIX
I STIFLE ANOTHER yawn as I step out of the stairwell and into the third floor hall, grateful that Harker’s still the only name on my list. After stashing my skirt in my schoolbag and shoving that behind a table halfway down the hall, I straighten my ponytail in the mirror above the table and fetch the key out from under my collar. The transformation is complete: student to Keeper in under a minute.
Across from the mirror is a painting of the sea, and just beside that is a crack in the wall. A seam where the worlds don’t quite line up. No one else sees it, but I do, and when I tug off my ring, the crack becomes clearer, the keyhole tucked into the fold. I slot my key, and the Narrows door blossoms like a stain, the faded wallpaper darkening as the frame presses against the surface. A thread of light carves the outline of the door, and I turn the key, hear the hollow click, and step through into the dark. I’m lifting my fingers to the nearest wall, about to read the surface for signs of Harker, when I think I hear it.
Humming.
My heart starts to race as I pull away from the wall and turn toward the noise, panic flooding through me. And then between one pulse—one step—and the next, the world disappears.
Everything goes away.
Goes black.
And then, just as suddenly, it comes back—I come back—and the humming is gone and my head is killing me and I’m running. Sprinting. Chasing. A boy sprints several yards ahead of me.
“Harker, stop!” The words tumble out before I even realize they’re mine. “There’s nowhere to run!” I add, which isn’t strictly true, since we’re both covering plenty of ground. There’s just nowhere to run to.
My lungs are burning and my legs ache and I don’t have enough sleep in my bones for this, but adrenaline fills in the place where sleep should be as the Narrows echo with the sounds of the hunt. Heavy breath and pumping limbs and shoes hitting hard against the concrete, his as he flees, mine as I chase.